They were the foremost stained glass manufacturers in Australia and became famous in domestic, commercial and ecclesiastical work. Lyon was the window designer and glass painter whilst Cottier kept the firm up to date with the latest overseas developments. John Lamb Lyon won international and national awards for his work.
All Saints' Anglican Church, Condobolin - Wikipedia
No documentary evidence has been discovered that determines the exact date of the windows' manufacture. There are few Lyon and Cottier company records surviving. It is estimated that the windows at All Saints were made and installed in several stages between and the s. More research into the biographical dates and details of the donors and memorial subjects could narrow down the dates of manufacture, i.
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The smaller geometric design of the east window and its importance above the altar suggests that this window was made and installed first, possibly by the time the first service was held. It is in keeping with early-to-mid nineteenth-century Gothic Revival desire to reproduce the smaller scale, "mosaic" quality of medieval windows.
It includes smaller pieces of richly coloured glass, less painted details and greater prominence given to the lead lines. It is possible, though speculation only, that the west window was the last to be installed, due to the larger scale of its design, softer colouring, and more fluid, interlacing design, which is suggestive of Art Nouveau influences of the s. All windows share the same borders. The west and nave windows share the small inscription lettering, and the vestry windows and the Richard Little memorial window northern wall of the nave share similar painted details and foliated designs.
The use of common borders and painted quarries suggest the use of stock designs. Comparisons with other known Lyon and Cottier windows reveal the same painted quarries and design details. The windows are not really 'grisaille'but more accurately described as "geometric" or as quarry glass. In the late s new ecclesiastical furniture was added to the Church.
The furniture is elaborately carved and made in a style called "tabernacle work". The elaborately carved Font was displayed at the Brisbane Exhibition before being placed in the Church. In the shingled roof was replaced by aluminium tiles which caused a sensation at the time, due to the glare caused when the sun shone on it. In the s cement pathways and surrounds were laid.midwestdiscountprinting.com/wp-includes/borymuv/5648.php
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In all the windows were removed and sent to Sydney where they were repaired by Bolton Studios in Ashfield. Restoration involved re-leading the windows, adding false leads to cover cracks in the glass pieces, and some new painted glass pieces. The church continues in its original use as a place of worship for the Anglican community of Condobolin. It has triple lancets at the east end with a circular rose window over them, and the west facade has a continuous buttress up the centre topped with a bell-cote and flanking lancet windows.
Gothick-styled church built on sandstone foundations with mm walls and external buttresses. The construction is red brick, made locally. Internal walls are white plaster. Double pitched gabled roof, covered in pressed aluminium tiles previously shingles, replaced in It has been suggested they represent a style known as "Grissaille".
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However, Robin heddtich suggests that they are not really 'grisaille'but more accurately described as "geometric" or as quarry glass. All Saints' is historically associated with nearby buildings but none of these are included in this listing - the first Rectory on Marsden Street, which was sold in , a new Rectory on the corner of Orange and McDonnell Streets completed in , a new demountable Church House as well as the Church Hall behind the All Saints Church. However there is substantial circumstantial evidence to collaborate very clearly that it was the work of this important 19th century church architect.
The Blacket opus is principally known from the collection of maps and plans he left through his sons to the Mitchell Library and catalogued in Joan Kerr's publication. Condobolin is a small nave church, with no chancel, and entry through a north door with a bell surmounted to the west gable. In this form, it conforms completely to the small church type that Blacket developed for rural churches. The first of these was at Carcoar to which was added later a tower and spire.
Other early examples are Canterbury , and Gosford It is usual for Blacket to have designed church furniture. The pews at Condobolin match almost exactly by those designed by Blacket for the first part of the church at Croydon Kerr herself is prepared to make the attribution a convincing one page 21 of the above-mentioned monograph.
Blacket is also known to have had direct personal ties with the district and those who would have been responsible for the commissioning of the church.
He designed the rectory at Forbes in The trustees of the two churches, Condobolin and Forbes, were known to each other. The Blacket family went on to do other works in the district. Arthur Blacket designed water works in Forbes in Cyril Blacket designed the rectory at Forbes.. Choose from singles in your area Chat with users you like Ask out people you are attracted to We will help you find your match!
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